ASK ROD |
|
Once more into the britches.
OLD POETS NEVER DIE, THEY JUST GROW BEARDS
Sir.... In case no one has yet told you, you have weathered your storm nicely...poets
don't age, they grow beards! (I'm going to start on mine next week). Your web site has
given me something I had forgotten all about.... ANTICIPATION.... Its been along
time since I had an ANTICIPATION for anything. We're so used to getting what we want,
instantly, or living without it that ANTICIPATION seems to be a thing of the past...for
the young ones anxious to reach "an age".... But, you have restored a very nice
emotion to me, and I thank you for that.
I saw you in concert in Orlando in 1972 and at a book signing at Disney Village in
Orlando ...even had my picture taken with you...you picked me up in your arms like a
child...If I had not already been smitten, I was then. I could say all the things everyone
says to you about being led out of the dark, comfort, kinship etc..... But, they would be
trite and probably have little meaning, since you are hearing it a lot now. I will say
that the best way I can repay you is to give gifts of your poetry to others (many of them
I have shoes older than, but poetry knows no age) and I play your music for them, so that
they can follow the path to their own inner working, with help from "your
tools."
Long winded am I, and presuming to tell you what you already know, I know, but I
wanted to be among the ones to wish YOU the chance to SLEEP WARM and hold on to that
feeling, what ever it may be. Connie Coomes.
Dear Connie, be my guest being as long winded with praise any time. Your letter arrived on
a day when the ego & the id both needed nurturing. Rod

THE COMING OF THE RAIN
"Where were we when the coming of the rain made us turn from conversation to the
window..". Please, finish this for me or at least tell me what book, what tape or
record it is in. It's a part of a poem that is lost in one of my "Rod Books",
and there are many. 'A Safe Place to Land' is the first thing I read in the morning. It
starts my day wish smiles, laughter and occasionally a tear or two. Thank you. : Ilona
Jackson
Dear Ilona, . . ."in mustard fields maybe,
or the love jungle,
and as we talked
we were with others, not ourselves."
The complete poem is entitled "Twenty-Five" and is from the book "Listen To
The Warm" and on the CD of the book is called "The Coming Of The Rain."
Rod.

SISTER CORITA
Hi Rod! I remember reading your poetry way back in 67 when I was in Seminary training.
I need to know, didn't you do some collaborative work with Sister Corita Kent? And, was
that in California? I faintly recall something like that. Pepe
Dear Pepe, Sister Corita and I had a wonderful time together. What a fun collaboration.
And the very best thing about it is that we did it for ourselves. Nobody but the two of us
ever saw any of the work we did together.. Rod

LOVE
Dear Rod, So many of your poems seem to be an exploration of the nature of love. Is
this simply a fascination or favorite topic of yours, or is it a search for something that
is/was lacking in your life/childhood? Or, perhaps, some other reason? Joanna, Trumansburg
NY
Dear Joanna, It is true the sixty or so books Ive written do seem a bit top heavy
with love poetry, Id hate to be psychoanalyzed as to why. Love, the reasons for it,
nature of it and the various kinds of it fascinates me.
As a child I grew up away from home and did feel neglected. What schooling I had
didnt offer much chance of making friends, because I was never in one place long
enough to get to know my schoolmates. Ive spent most of my adult life as somewhat of
a loner working and traveling. This brief, but I hope to the point, history paints me as
somewhat of an outsider. And, I still feel that way.
I have no regrets and no complaints because the friends I have made have been, and are,
wonderful. As for love, in whatever guise it came or comes, it has always been
appreciated. I feel Ive learned as much from the not so successful experience as
those that have lasted.
I know this is a somewhat superficial explanation of a complex subject, but this is only a
flight plan, not a life plan. Thanks, Rod

BIOGRAPHY
I would like to know if there is a biography of you available in book form? I am
having trouble finding one. Maude.
Dear Maude, Thank heavens there isnt, but thanks for asking..

YOU & ME JOHNNY: TWO OF A KIND, WARPED!
Got your email address from my friend Kim at Scram Magazine. Just had to drop you a
line and tell you that you made one of my fav-o-rite records of all time. I'm referring,
of course, to THE CELEBRITY TWIST. This song is nothing short of pure brilliance. Of
course "The Mummy" is fantastic, and "Beat Generation" is nuthin' to
sneeze at either. I don't have Beatsville, but do have RM Takes a San Francisco Hippie
Trip (found a sealed copy in Memphis, Tenn.). Being a native San Franciscan, I appreciate
all the local references. Hopefully I can find a pad on August Alley. Thanks for
contributing the "Celebrity Twist" to this world - it's a better place for it.
Johnny Bartlett
Dear Johnny, You are warped, but join the club! And, you may be the only human being who
ever confessed to knowing about, let alone liking, The Celebrity Twist. Next youll
tell me you know all the words to such early and crazy songs from my brief Rock career as
I Dig Here Wig, The Beverly Hills Telephone Directory, Everythings So Sheik
Its A Bore and The Dracula Cha, Cha, Cha. Or maybe Alexis Was Too Greek For Me, [a
very, pardon the expression, tongue in cheek song which I wrote for Elsa Lanchester to
sing.]
In all truth Im delighted that youre letting the readers of the flight plan
know Im not always as serious as I paint myself and am painted. One of the things I
miss most about not doing regular concert tours is the humor I was able to bounce off
audiences. It was fun to sing a dark and moody If You Go Away & follow it with The
Love Song From Jaws or The Girl Who Got Stabbed At The Prom. I guess what delights me most
about Kims rediscovery of Beatsville and the subsequent re-release of the album on
CD is the chance to listen to it with slightly different ears.
If I dont go back on the road soon, who but my closest friends will have heard I
Left My Prozac In Pasadena, Blame It On The Baby Boomers, The Gerital Song [Were
Spending Our Honeymoon In Viagra Falls?]" or The AOL Chat Room Song (One In The Hand
Is Worth None On The Web).
Loved your letter. Rod

History Strikes Again
Today is Friday the 13th so dont walk under any ladders or step on any sidewalk
cracks while carrying your black cat. On this day in 1862 Lewis Carroll began writing
Alice In Wonderland, hoping to finish it by Christmas.
In 1900 Besse Loraine Bowles is the first woman to give birth to a chicken. Just checking
to see if youre still with me. In 1858 Gioacchino Antonio Rossini, the composer of
The Barber of Seville, gets his final shave and painter Camille Pissarro cleans his last
brush on this day in 1903. In 1914 a patent was granted to Mary Phelps Jacobs for the
first bra. She fashioned it from two handkerchiefs.. Isnt it meaningful that the
Stanyan Archives reveal and remember such important days in history? In 1927 The Holland
Tunnel beneath the Hudson River opens between New York City and Jersey City.
Today in 1940 Walt Disneys classic film Fantasia opens. It is a dismal flop, with
some critics considering it to be a sacrilege of the music of Bach, Beethoven, Tchaikovsky
and The Bee Gees. Some even claim that the movie is an indication of the impending
collapse of Western Civilization [Gee, thats what they said about
"Beatsville" forty years ago]. Only after repeated releases does the film attain
popularity and critical acclaim. Its About Time Dept: 1956 The Supreme Court rules
that segregation on interstate buses is unconstitutional.
Have a whale of a weekend.
- RM 11/11/98 |
PASSENGERS |
|
We are passengers
on the same train.
Destinations far removed
from
one the other
but close enough that you
once entertained the thought
of us arriving and stepping down
at the same stop,
the
self same station
from this vehicle
built for carrying
alike feelings, alike needs.
If the unseen, unknown conductor
is
not known to you,
he is to me.
Beneath his guises and disguises
he is known to me as love.
Again I shake my guts out
not so
silently
and boast and brag of love.
If you are so engaged with echoes
it may seemingly come often to me.
I cannot say with certainly
that its not so,
but I will not demote, degrade
this aura, this event
by any lesser name.
I love.
To what degree
this hour and this time
is of no importance.
I love you with what I am
and all I am as of this minute.
Not the hours ahead or yet to come.
Friends will say -
and if they do
then they are your friends
no
longer mine -
that I have loved before,
other places, other times.
And they may even circle
a certain calendar curriculum
and show you without doubt
that they are said to be
my lovers too.
I say doubt them.
Trust them not.
For I was not invented
or thought up
until these recent minutes
that heaped atop each other
because these round and recent hours.
In truth
could I not
I would not love you.
I would choose the easy road.
Age has taught me, or I thought it had
how to discover, disguise and avoid
anxiety.Its not so much that it is difficult
to love and not be loved, or even
that it holds no hope.
It is that the business of so doing
is impractical and
incomplete.
At best not being loved affords only
the luxury and latitude of self-pity.
This time
there is some evidence
that knowing you or starting to
has made me better in a known
and in some unknown
way.
Ah, but we are greedy men
those of us who come to rest
at last
on what we feel to be
our final, real love.
Better will not do.
We always want the best.
A taste of you has left an ache,
an opening for all the rest.
Passengers we are
traveling these same tracks
carried along by the same ribbon
of boardwalk.
All journeys end
or so we are told they should.
The destination looms,
is nearly in our sights.
Can you see it, feel it ?
Come closer one more time
and see it through my eyes
or stand behind me, hold on tight
and feel it through my shoulders
or feel it while Im holding you.
There on the beach
beyond the boardwalk
two people stand
looking into nothing.
Cant you see them ?
There behind the snow fence
where the track
ends
standing
staring
some distance from each other.
One is holding little shells
and sea smooth rocks
gathered from some unnamed ocean.
The others hands are cupped
and filled with chips of colored glass
retrieved from that same sea.
Side by side theyve come
down the same much traveled beach.
And having journeyed for a time
on the same train
each has loped or run
the distance necessary
to have learned all lessons
worth
the learning.
Now each is gone
beyond the boardwalk separately
not together
where something surely waits
and found that there was nothing.
- From "Beyond The Boardwalk", 1975 |